Bernard Buffet, ‘Vue de l’hôtel, Kyoto (Hotel View, Kyoto); and L’Hôtel Fujita à Kyoto (The Hotel Fujita in Kyoto), from Le Voyage au Japon (The Journey to Japan)’, 1981, Phillips

Both images: 19 x 26 in. (48.3 x 66 cm)
Both sheets: 21 x 28 in. (53.3 x 71.1 cm)

Both signed and annotated 'E.A' in pencil (one of 20 artist's proofs, aside from the edition of 80 accompanying the portfolio edition of 180), published by Éditions A.C. Mazo, Paris, both unframed.

Charles Sorlier 372 and 380

Atelier Mourlot Collection and Archive, Paris (inkstamp on the reverse and accompanying certificate #7213 and #7194)
Private Collection

About Bernard Buffet

Embodying Jean-Paul Sartre’s Existentialism and Albert Camus’s Absurdism, Bernard Buffet’s painting conveyed the anxiety that permeated France during the Nazi occupation and came to dominate the post-war figurative art scene. A member of a group called L’Homme Témoin (The Witness) along with Bernard Lorjout and André Minaux, Buffet developed a realist style infused with social criticism, featuring a restrained palette and black outlines. He is best known for his grim “Horror of War” series and myriad streetscapes and interior scenes populated by angular, emotionless figures. Self-portraits, religious scenes, still lifes also figure among his oeuvre, which extends to lithography, engraving, and sculpture. While Buffet continued to enjoy success as a commercial artist until a debilitating illness prompted him to commit suicide, his work fell out of favor among critics in the 1960s and remains relatively unknown.

French, 1928-1999, Paris, France, based in Paris, France