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Page 1 of 11
Page 1 of 11
HP
Huxley-Parlour
London

Winding Tower, Bully Les Hines, France 1967, Winding Tower, Abervan, South Wales, 1967 & Furnace, Baltimore, Maryland, USA, 1967

Medium
Signature
Each signed on reverse

Bernd and Hilla Becher worked collaboratively for nearly half a century documenting industrial German structures. In their “typologies”—series of objective black-and-white photos—the Bechers sought to illuminate and catalogue the similarities and variations in design among particular building types, such as framework houses, water towers, and blast furnaces. Exhibited in groups, the prints encourage comparison of form and function, and hint at the history and context of each structure. The Becher style would inform a generation of prominent photographers including Andreas Gursky, Candida Höfer, Thomas Ruff, and Thomas Struth. For the Bechers, to read their photographs was to know and understand deeply these beautiful, yet often forgotten, “sculptures.” The signature neutrality of each image demanded exacting camera angles and light conditions, their methods drawing from both architectural and landscape tradition and broadening the conceptual range and potential of documentary photography.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Indianapolis Museum of Art at Newfields
Selected exhibitions
2017
Bernd and Hilla BecherHauser & Wirth
2016
open spaces | secret places: Works from the Sammlung Verbund, ViennaCentre for Fine Arts (BOZAR)
Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda BeckerNational Gallery of Art, Washington, D.C.
View all

Triptych (Winding Towers and Furnace), 1967

Three silver gelatin prints
9 1/2 × 7 in
24.1 × 17.8 cm
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Location
London
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HP
Huxley-Parlour
London

Winding Tower, Bully Les Hines, France 1967, Winding Tower, Abervan, South Wales, 1967 & …

Medium
Signature
Each signed on reverse

Bernd and Hilla Becher worked collaboratively for nearly half a century documenting industrial German structures. In their “typologies”—series of objective black-and-white photos—the Bechers sought to illuminate and catalogue the similarities and variations in design among particular building types, such as framework houses, water towers, and blast furnaces. Exhibited in groups, the prints encourage comparison of form and function, and hint at the history and context of each structure. The Becher style would inform a generation of prominent photographers including Andreas Gursky, Candida Höfer, Thomas Ruff, and Thomas Struth. For the Bechers, to read their photographs was to know and understand deeply these beautiful, yet often forgotten, “sculptures.” The signature neutrality of each image demanded exacting camera angles and light conditions, their methods drawing from both architectural and landscape tradition and broadening the conceptual range and potential of documentary photography.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
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