Bernd & Hilla Becher, ‘Four works: (i) Zimmermann Coal Co., Ravine, Schuylkill Country; (ii) Scade Coal Co., Goodspring Mountains, Schuylkill Country; (iii) Scheib & Walacavage, No. 2, Joliett, Schuykill Country; (iv) Minnich Coal Co., Goodspring Mountains, Schuykill Country’, 1983, Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)
Each: 40.4 x 30.6 cm (15 7/8 x 12 in.)

Signature: signed 'Bernd Becher Hilla Becher' on the reverse of the first sheet; numbered '1-4' on the reverse of the corresponding sheets

Bernd & Hilla Becher, Pennsylvania Coal Mine Tipples, Munich, 1991, no. 58 (i), no. 50 (ii), no. 55 (iii), no. 53 (iv) (other examples illustrated)

Andre Simoens Gallery, Knokke
Acquired from the above by the present owner

About Bernd & Hilla Becher

Bernd and Hilla Becher worked collaboratively for nearly half a century documenting industrial German structures. In their “typologies”—series of objective black-and-white photos—the Bechers sought to illuminate and catalogue the similarities and variations in design among particular building types, such as framework houses, water towers, and blast furnaces. Exhibited in groups, the prints encourage comparison of form and function, and hint at the history and context of each structure. The Becher style would inform a generation of prominent photographers including Andreas Gursky, Candida Höfer, Thomas Ruff, and Thomas Struth. For the Bechers, to read their photographs was to know and understand deeply these beautiful, yet often forgotten, “sculptures.” The signature neutrality of each image demanded exacting camera angles and light conditions, their methods drawing from both architectural and landscape tradition and broadening the conceptual range and potential of documentary photography.

German, 1931–2007, 1934–2015, Siegen, Germany and Potsdam, Germany, based in Düsseldorf, Germany