Bethan Huws, ‘Untitled (J’ai ma muse…) REF: 007 237 Ed. 2/2’, 2013, Mixed Media, Aluminium, glass, rubber and plastic letters, Galerie Hollenbach
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Bethan Huws

Untitled (J’ai ma muse…) REF: 007 237 Ed. 2/2, 2013

Aluminium, glass, rubber and plastic letters
29 1/2 × 19 7/10 × 1 4/5 in
75 × 50 × 4.5 cm
Location
Stuttgart
Medium
Image rights
Bethan Huws Studio
Bethan Huws
Welsh, b. 1961
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Since garnering acclaim in the 1990s for a series of subtle architectural interventions in gallery spaces, conceptual artist Bethan Huws has been altering public and private sites, staging performances, and producing films, sculptures, watercolors, and mixed-media works that play with viewers’ perception. Mining her memories and her Welsh identity, as well as the practice of Marcel Duchamp, Huws posits that perception and understanding are premised on a process of translation; in her work, she aims to make this process apparent. By stenciling “FALSE TEETH” onto the windows of a seaside shelter, for example, she effectively transforms its windowpanes into a set of false teeth through the power of suggestion and language. In Untitled (Read, red. . .) (2008), she spells out the words “read” and “red,” illustrating how their meaning shifts and overlaps depending upon how they are perceived.

Bethan Huws, ‘Untitled (J’ai ma muse…) REF: 007 237 Ed. 2/2’, 2013, Mixed Media, Aluminium, glass, rubber and plastic letters, Galerie Hollenbach
Save
Save
Share
Share
Medium
Image rights
Bethan Huws Studio
Bethan Huws
Welsh, b. 1961
Follow

Since garnering acclaim in the 1990s for a series of subtle architectural interventions in gallery spaces, conceptual artist Bethan Huws has been altering public and private sites, staging performances, and producing films, sculptures, watercolors, and mixed-media works that play with viewers’ perception. Mining her memories and her Welsh identity, as well as the practice of Marcel Duchamp, Huws posits that perception and understanding are premised on a process of translation; in her work, she aims to make this process apparent. By stenciling “FALSE TEETH” onto the windows of a seaside shelter, for example, she effectively transforms its windowpanes into a set of false teeth through the power of suggestion and language. In Untitled (Read, red. . .) (2008), she spells out the words “read” and “red,” illustrating how their meaning shifts and overlaps depending upon how they are perceived.

Bethan Huws

Untitled (J’ai ma muse…) REF: 007 237 Ed. 2/2, 2013

Aluminium, glass, rubber and plastic letters
29 1/2 × 19 7/10 × 1 4/5 in
75 × 50 × 4.5 cm
Location
Stuttgart
Other works by Bethan Huws
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