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Betty Tompkins

Fuck Grid #21, 2005

Pencil on paper
16 9/10 × 14 in
43 × 35.5 cm
Contact For Price
location
St. Moritz
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Betty Tompkins
American, b. 1945
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Rendered in softly airbrushed tones, Betty Tompkins’s photorealist paintings of intimate sexual encounters, including exposed genitalia, penetration, and masturbation, derive from pornography. Though her series of nine “Fuck Paintings” were flagged by French customs officials for pornographic content and withheld from display in 1973, they have since received belated acknowledgment and appreciation. Tompkins carefully crops out faces or body parts to excise narrative detail, enlarging the scale to fill large expanses of wall. By emptying her paintings of signifiers of race, class, time, and circumstance, Tompkins presents erotic encounters between two (or sometimes more) powerfully consonant bodies.

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Save
view
View in room
share
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Save
Save
view
View in room
share
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Betty Tompkins
American, b. 1945
Follow

Rendered in softly airbrushed tones, Betty Tompkins’s photorealist paintings of intimate sexual encounters, including exposed genitalia, penetration, and masturbation, derive from pornography. Though her series of nine “Fuck Paintings” were flagged by French customs officials for pornographic content and withheld from display in 1973, they have since received belated acknowledgment and appreciation. Tompkins carefully crops out faces or body parts to excise narrative detail, enlarging the scale to fill large expanses of wall. By emptying her paintings of signifiers of race, class, time, and circumstance, Tompkins presents erotic encounters between two (or sometimes more) powerfully consonant bodies.

Betty Tompkins

Fuck Grid #21, 2005

Pencil on paper
16 9/10 × 14 in
43 × 35.5 cm
Contact For Price
location
St. Moritz
Have a question? Read our FAQ.
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