Biggs and Collings, ‘Harp and Organ’, 2016, Vigo Gallery

We see the paintings as sheer intensity -- intensity via reduced means. Everything a painting could be is reduced down to colour and its handling and arrangement.

About Biggs and Collings

Husband and wife duo Emma Biggs and Matthew Collings, both independently established artists and writers, began collaborating in 2001 on abstract, oil-on-canvas paintings, through which they celebrate historical notions of art, centered upon color, light, and perception. Bucking the trend toward ideas about aesthetics, they posit through their work that our appreciation of and desire for beauty in art remains. “Painting is in crisis—what is the point of an antiquated form in a world where representation is ubiquitous?” they have asked. “Our answer comes from looking at its origin, both in the history of art and as the by-product of art’s original intentions: beauty.” Their own practices—Biggs is a mosaic artist, Collings a painter—dovetail in their compositions, which are based upon endless iterations of delicate triangles ensconced in a grid, with dancing, shimmering surfaces.

British, 1956 and 1955