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Bill Armstrong

Film Noir # 1408, 2011-2012

C-print, mounted to aluminium
51 3/5 × 43 7/10 × 2 4/5 in
131 × 111 × 7 cm
Edition 3/5
This is part of a limited edition set.
Contact For Price
Location
London
Have a question? Visit our help center.
About the work
Medium
Photography
Image rights
© Bill Armstrong / Courtesy HackelBury Fine Art, London
Bill Armstrong
American, b. 1952
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Fascinated by the profound effect that color can have on perception and emotions, Bill Armstrong produces lush, semi-abstract, semi-figurative photographs. Working in series, he makes his photographs by taking intentionally blurred photographs of other photographs. For example, for his “Infinity” series, begun in 1997, Armstrong gathers existing photographs—of Roman sculpture, Old Master drawings, or film stills—and alters them in various ways, including cutting them apart or painting over them. He then sets his camera’s lens to “infinity”, an extremely out-of-focus range, and photographs these manipulated images. Explaining his process and its results, he writes: “Extreme de-focusing enables me to blend and distill hues, creating rhapsodies of color that are meditative pieces—glimpses into a space of pure color, beyond our focus, beyond our ken.”

Navigate left
Navigate right
Save
Save
Share
Share
Save
Save
Share
Share
About the work
Medium
Photography
Image rights
© Bill Armstrong / Courtesy HackelBury Fine Art, London
Bill Armstrong
American, b. 1952
Follow

Fascinated by the profound effect that color can have on perception and emotions, Bill Armstrong produces lush, semi-abstract, semi-figurative photographs. Working in series, he makes his photographs by taking intentionally blurred photographs of other photographs. For example, for his “Infinity” series, begun in 1997, Armstrong gathers existing photographs—of Roman sculpture, Old Master drawings, or film stills—and alters them in various ways, including cutting them apart or painting over them. He then sets his camera’s lens to “infinity”, an extremely out-of-focus range, and photographs these manipulated images. Explaining his process and its results, he writes: “Extreme de-focusing enables me to blend and distill hues, creating rhapsodies of color that are meditative pieces—glimpses into a space of pure color, beyond our focus, beyond our ken.”

Bill Armstrong

Film Noir # 1408, 2011-2012

C-print, mounted to aluminium
51 3/5 × 43 7/10 × 2 4/5 in
131 × 111 × 7 cm
Edition 3/5
This is part of a limited edition set.
Contact For Price
Location
London
Have a question? Visit our help center.
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