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Bill Armstrong, ‘Untitled (Renaissance #1003)’, 2006, ClampArt
Bill Armstrong, ‘Untitled (Renaissance #1003)’, 2006, ClampArt
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Bill Armstrong

Untitled (Renaissance #1003), 2006

Chromogenic print
This is part of a limited edition set.
48 × 40 in
121.9 × 101.6 cm
Edition of 5
$9,000
36 × 30 in
91.4 × 76.2 cm
Edition of 5
$5,500
24 × 20 in
61 × 50.8 cm
Edition of 10
$2,750
Location
New York City
Have a question? Visit our help center.
About the work
ClampArt
New York City

The source materials for the photographs in this series are re-worked master drawings, largely from …

The source materials for the photographs in this series are re-worked master drawings, largely from the Renaissance. The artist’s many layered process of reproduction and blurring, appropriating an image and subjecting it to a series of manipulations (photocopying, cutting, painting, re-photographing) transforms the …

Medium
Photography
Signature
Signed, titled, dated and numbered, verso
Bill Armstrong
American, b. 1952
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Fascinated by the profound effect that color can have on perception and emotions, Bill Armstrong produces lush, semi-abstract, semi-figurative photographs. Working in series, he makes his photographs by taking intentionally blurred photographs of other photographs. For example, for his “Infinity” series, begun in 1997, Armstrong gathers existing photographs—of Roman sculpture, Old Master drawings, or film stills—and alters them in various ways, including cutting them apart or painting over them. He then sets his camera’s lens to “infinity”, an extremely out-of-focus range, and photographs these manipulated images. Explaining his process and its results, he writes: “Extreme de-focusing enables me to blend and distill hues, creating rhapsodies of color that are meditative pieces—glimpses into a space of pure color, beyond our focus, beyond our ken.”

Bill Armstrong, ‘Untitled (Renaissance #1003)’, 2006, ClampArt
Bill Armstrong, ‘Untitled (Renaissance #1003)’, 2006, ClampArt
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
ClampArt
New York City

The source materials for the photographs in this series are re-worked master drawings, largely from …

The source materials for the photographs in this series are re-worked master drawings, largely from the Renaissance. The artist’s many layered process of reproduction and blurring, appropriating an image and subjecting it to a series of manipulations (photocopying, cutting, painting, re-photographing) transforms the …

Medium
Photography
Signature
Signed, titled, dated and numbered, verso
Bill Armstrong
American, b. 1952
Follow

Fascinated by the profound effect that color can have on perception and emotions, Bill Armstrong produces lush, semi-abstract, semi-figurative photographs. Working in series, he makes his photographs by taking intentionally blurred photographs of other photographs. For example, for his “Infinity” series, begun in 1997, Armstrong gathers existing photographs—of Roman sculpture, Old Master drawings, or film stills—and alters them in various ways, including cutting them apart or painting over them. He then sets his camera’s lens to “infinity”, an extremely out-of-focus range, and photographs these manipulated images. Explaining his process and its results, he writes: “Extreme de-focusing enables me to blend and distill hues, creating rhapsodies of color that are meditative pieces—glimpses into a space of pure color, beyond our focus, beyond our ken.”

Bill Armstrong

Untitled (Renaissance #1003), 2006

Chromogenic print
This is part of a limited edition set.
48 × 40 in
121.9 × 101.6 cm
Edition of 5
$9,000
36 × 30 in
91.4 × 76.2 cm
Edition of 5
$5,500
24 × 20 in
61 × 50.8 cm
Edition of 10
$2,750
Location
New York City
Have a question? Visit our help center.
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