Bill Brandt, ‘Gull's Nest, Midsummer Eve, Isle of Skye’, 1947, Heritage Auctions
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Bill Brandt

Gull's Nest, Midsummer Eve, Isle of Skye, 1947

Gelatin silver
13 1/2 × 11 1/2 in
34.3 × 29.2 cm
Bidding closed
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About the work
HA
Heritage Auctions

Condition Report: Dry mounted to board measuring 20 x 16 inches; moderate foxing to the mount; a …

Medium
Photography
Signature
Signed in ink on mount recto
Image rights
Courtesy of Heritage Auctions
Bill Brandt
British, 1904–1983
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Throughout a career that encompassed a wide variety of subjects and printing styles, British photographer Bill Brandt enabled viewers to see the world with, as he put it, “a sense of wonder.” He began his career as an assistant to Man Ray in Paris, where he discovered the work of Eugène Atget and Hungarian photographer Brassaï. Upon returning to England, he became known for his incisive documentary work, including his landmark series “The English at Home”, and, later, revealing images of London under siege during the Blitz of WWII. After the war, he turned his focus to the human body, using unusual perspectives to transform flesh into abstract landscapes. Unlike his famous contemporaries like Henri Cartier-Bresson, Brandt experimented freely with artificial light, cropping, and photomontage. “Photography is not a sport,” he said. “It has no rules. Everything must be dared and tried.”

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Bill Brandt, ‘Gull's Nest, Midsummer Eve, Isle of Skye’, 1947, Heritage Auctions
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Save
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View
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About the work
HA
Heritage Auctions

Condition Report: Dry mounted to board measuring 20 x 16 inches; moderate foxing to the mount; a few scattered; foxing spots to the image visible in racking light; slight overall age toning various scuff marks and scratches, a few with very small amounts of loss.

Medium
Photography
Signature
Signed in ink on mount recto
Image rights
Courtesy of Heritage Auctions
Bill Brandt
British, 1904–1983
Follow

Throughout a career that encompassed a wide variety of subjects and printing styles, British photographer Bill Brandt enabled viewers to see the world with, as he put it, “a sense of wonder.” He began his career as an assistant to Man Ray in Paris, where he discovered the work of Eugène Atget and Hungarian photographer Brassaï. Upon returning to England, he became known for his incisive documentary work, including his landmark series “The English at Home”, and, later, revealing images of London under siege during the Blitz of WWII. After the war, he turned his focus to the human body, using unusual perspectives to transform flesh into abstract landscapes. Unlike his famous contemporaries like Henri Cartier-Bresson, Brandt experimented freely with artificial light, cropping, and photomontage. “Photography is not a sport,” he said. “It has no rules. Everything must be dared and tried.”

Bill Brandt

Gull's Nest, Midsummer Eve, Isle of Skye, 1947

Gelatin silver
13 1/2 × 11 1/2 in
34.3 × 29.2 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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