C
ClampArt
New York City
Medium
Signature
Signed, dated, and numbered in black ink, verso

Widely regarded as a pioneer of new media art, Bill Viola creates works that combine filmed images and music in what he calls “total environments that envelop the viewer in image and sound.” With roots in both Eastern and Western art and spiritual traditions, Viola’s visual and sound installations impart a transcendental experience of their own, alternating between electronic scores and silence, and pursuing timeless themes like birth, death, and extremes of emotion. For example, in the soundless Quintet of the Astonished (part of the “Quintet” series, 2000), five figures in the throes of a powerful feeling are filmed in ultra slow motion, resulting in tableaux reminiscent of Renaissance painting. A similar technique is at work in “The Passions” (2000-), an ongoing series that draws in part from the conventions of sacred Christian frescoes to create filmed scenes of great suffering and redemption.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2019
Bill Viola: Intimate WorksBlain | Southern
2017
Bill Viola: A RetrospectiveGuggenheim Museum Bilbao
2014
Bill Viola: TransformationFaurschou Foundation
View all

Ocean Without a Shore, 2007/2009

Chromogenic print
24 × 20 in
61 × 50.8 cm
Edition of 10
.
Sold
Location
New York City
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C
ClampArt
New York City
Medium
Signature
Signed, dated, and numbered in black ink, verso

Widely regarded as a pioneer of new media art, Bill Viola creates works that combine filmed images and music in what he calls “total environments that envelop the viewer in image and sound.” With roots in both Eastern and Western art and spiritual traditions, Viola’s visual and sound installations impart a transcendental experience of their own, alternating between electronic scores and silence, and pursuing timeless themes like birth, death, and extremes of emotion. For example, in the soundless Quintet of the Astonished (part of the “Quintet” series, 2000), five figures in the throes of a powerful feeling are filmed in ultra slow motion, resulting in tableaux reminiscent of Renaissance painting. A similar technique is at work in “The Passions” (2000-), an ongoing series that draws in part from the conventions of sacred Christian frescoes to create filmed scenes of great suffering and redemption.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Bill Viola
Other works from ClampArt
Related works
Related artists