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Page 1 of 4
Page 1 of 4

Blinn Jacobs describes her work in a recent statement as being a dialogue between polygonal “shaped” canvases and the use of “painterliness” in regard to the interaction of color. Some of the works retain surface clarity; others become saturated by manipulation of graphic marks and various media. All involve a …

Medium
Condition
Excellent
Signature
Hand-signed by artist, verso
Certificate of authenticity
Included
Frame
Not included

The shaped canvases of abstract artist Blinn Jacobs push the boundaries between form and surface in painting. Like Frank Stella, she creates abstract works on shaped canvases, yet her works are imbued with a painterly quality through the use of soft, muted color palette and graphic, textured lines that reveal the artist’s hand. “I am interested in using a variety of materials, sometimes in whimsical and surprising ways that playfully undermine the geometric formality of the work,” Jacobs has said. “Whether it is delicate weavings of ribbon or intersecting planes of transparent color where the hard edges are cajoled into an animated rhythm, I hope to merge movement with stability, transparency with opacity, and labor with play.”

Selected exhibitions
2018
Sharing WisdomFRED.GIAMPIETRO Gallery
2016
New GeometryFRED.GIAMPIETRO Gallery
2014
Richard Lytle - No Still Life and Blinn Jacobs - New WorkFRED.GIAMPIETRO Gallery
View all

Shifting, 2013

Acrylic, casein, graphite, oil pastel on gatorboard
22 × 14 in
55.9 × 35.6 cm
.
$4,000
Ships from New Haven, CT, US
Shipping: $75 domestic, $200 rest of world
Location
Branford
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Blinn Jacobs describes her work in a recent statement as being a dialogue between polygonal …

Medium
Condition
Excellent
Signature
Hand-signed by artist, verso
Certificate of authenticity
Included
Frame
Not included

The shaped canvases of abstract artist Blinn Jacobs push the boundaries between form and surface in painting. Like Frank Stella, she creates abstract works on shaped canvases, yet her works are imbued with a painterly quality through the use of soft, muted color palette and graphic, textured lines that reveal the artist’s hand. “I am interested in using a variety of materials, sometimes in whimsical and surprising ways that playfully undermine the geometric formality of the work,” Jacobs has said. “Whether it is delicate weavings of ribbon or intersecting planes of transparent color where the hard edges are cajoled into an animated rhythm, I hope to merge movement with stability, transparency with opacity, and labor with play.”

Selected exhibitions (3)
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