Bo Bartlett, ‘Self Portrait as Ishmael’, 2000, Painting, Oil on panel, Rago/Wright
Save
Save
View
View in room
Share
Share

Bo Bartlett

Self Portrait as Ishmael, 2000

Oil on panel
19 3/4 × 19 5/8 in
50.2 × 49.8 cm
Bidding closed
RW
Rago/Wright

Framed

Medium
Signature
Signed, dated and titled
Bo Bartlett
American, b. 1955
Follow

With a powerful ability to discern and amplify the magical possibilities of ordinary life, Bo Bartlett exemplifies the potential for exploration in narrative figurative painting with his informed and technically skilled interpretation of contemporary portraiture. The Columbus, Georgia-based painter dissolves formal distinctions between portraiture and self-representation, exploring the unspoken implications of identity, as well as relationships within an image and the viewer-subject relationship. Bartlett’s subjects are rendered fully as individuals, and his articulation of realism transcends mere mimesis. Often approaching the fantastical, the artists's meticulous control of his medium tempers his imagination, inflecting each painting with an uncanny psychological resonance. In single and group portraits, Bartlett takes up the influence and concerns of American realists, like Andrew Wyeth and Thomas Eakins, to capture the elusive coexistence of physical reality, emotional experience, memory, and dreams.

Navigate left
Bo Bartlett, ‘Self Portrait as Ishmael’, 2000, Painting, Oil on panel, Rago/Wright
Navigate right
Save
Save
View
View in room
Share
Share
RW
Rago/Wright

Framed

Medium
Signature
Signed, dated and titled
Bo Bartlett
American, b. 1955
Follow

With a powerful ability to discern and amplify the magical possibilities of ordinary life, Bo Bartlett exemplifies the potential for exploration in narrative figurative painting with his informed and technically skilled interpretation of contemporary portraiture. The Columbus, Georgia-based painter dissolves formal distinctions between portraiture and self-representation, exploring the unspoken implications of identity, as well as relationships within an image and the viewer-subject relationship. Bartlett’s subjects are rendered fully as individuals, and his articulation of realism transcends mere mimesis. Often approaching the fantastical, the artists's meticulous control of his medium tempers his imagination, inflecting each painting with an uncanny psychological resonance. In single and group portraits, Bartlett takes up the influence and concerns of American realists, like Andrew Wyeth and Thomas Eakins, to capture the elusive coexistence of physical reality, emotional experience, memory, and dreams.

Bo Bartlett

Self Portrait as Ishmael, 2000

Oil on panel
19 3/4 × 19 5/8 in
50.2 × 49.8 cm
Bidding closed
Other works by Bo Bartlett
Related works