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Brassaï

Le pont Alexandre III, circa 1932, ca. 1940

Gelatin silver print
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Location
Paris
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About the work
SAGE Paris
Paris
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referenced « FCN44A », titled, and inscribed « manque le contact N547E » (on the verso), stamp …

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referenced « FCN44A », titled, and inscribed « manque le contact N547E » (on the verso), stamp Faubourg Saint Jacques Port Royal on the verso

Medium
Photography
Brassaï
French, born Hungary, 1899–1984
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Whether a couple embracing in a seedy nightclub, a prostitute flaunting herself under a streetlight, or a huddle of petty criminals under an otherwise abandoned bridge, Brassaï found poetry in the derelict. “The thing that is magnificent about photography is that it can produce images that incite emotion based on the subject matter alone,” he once said. Best known for photographing candid night-time scenes in the Montparnasse district of Paris—an area populated with artists, streetwalkers, petty criminals, and prostitutes (subjects that initially scandalized the public)—Brassaï was dubbed the “eye of Paris” by his friend, the American writer Henry Miller. Originally born Gyula Halász, he later acquired the pseudonym Brassaï after his Hungarian hometown Brassó and made an international name for himself with books such as Paris de nuit (Paris After Dark) (1933) and Voluptés de Paris (Pleasures of Paris) (1935), in which he captured both the seedier sides of the French capital and its high society. “There are many similarities between what we call the 'underworld' and the 'fashionable world,” he said. Over the course of his career he photographed many of his artist friends including Henri Matisse, Pablo Picasso, Salvador Dalí, and Alberto Giacometti, as well as prominent writers such as Jean Genet.

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About the work
SAGE Paris
Paris
Follow

referenced « FCN44A », titled, and inscribed « manque le contact N547E » (on the verso), stamp …

Read more

referenced « FCN44A », titled, and inscribed « manque le contact N547E » (on the verso), stamp Faubourg Saint Jacques Port Royal on the verso

Medium
Photography
Brassaï
French, born Hungary, 1899–1984
Follow

Whether a couple embracing in a seedy nightclub, a prostitute flaunting herself under a streetlight, or a huddle of petty criminals under an otherwise abandoned bridge, Brassaï found poetry in the derelict. “The thing that is magnificent about photography is that it can produce images that incite emotion based on the subject matter alone,” he once said. Best known for photographing candid night-time scenes in the Montparnasse district of Paris—an area populated with artists, streetwalkers, petty criminals, and prostitutes (subjects that initially scandalized the public)—Brassaï was dubbed the “eye of Paris” by his friend, the American writer Henry Miller. Originally born Gyula Halász, he later acquired the pseudonym Brassaï after his Hungarian hometown Brassó and made an international name for himself with books such as Paris de nuit (Paris After Dark) (1933) and Voluptés de Paris (Pleasures of Paris) (1935), in which he captured both the seedier sides of the French capital and its high society. “There are many similarities between what we call the 'underworld' and the 'fashionable world,” he said. Over the course of his career he photographed many of his artist friends including Henri Matisse, Pablo Picasso, Salvador Dalí, and Alberto Giacometti, as well as prominent writers such as Jean Genet.

Brassaï

Le pont Alexandre III, circa 1932, ca. 1940

Gelatin silver print
Contact For Price
Location
Paris
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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