Brassaï, ‘Revue Hommage. [Issue] 2-Juin 44. Dessins de Matisse’, Doyle
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Revue Hommage. [Issue] 2-Juin 44. Dessins de Matisse

12 3/4 × 9 3/4 in
32.4 × 24.8 cm
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About the work
Provenance
D
Doyle

Monaco: Hommage, 1944. One of 1000 copies. Original printed wrappers [4] pp. text by André …

Medium
Photography
Brassaï
French, born Hungary, 1899–1984
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Whether a couple embracing in a seedy nightclub, a prostitute flaunting herself under a streetlight, or a huddle of petty criminals under an otherwise abandoned bridge, Brassaï found poetry in the derelict. “The thing that is magnificent about photography is that it can produce images that incite emotion based on the subject matter alone,” he once said. Best known for photographing candid night-time scenes in the Montparnasse district of Paris—an area populated with artists, streetwalkers, petty criminals, and prostitutes (subjects that initially scandalized the public)—Brassaï was dubbed the “eye of Paris” by his friend, the American writer Henry Miller. Originally born Gyula Halász, he later acquired the pseudonym Brassaï after his Hungarian hometown Brassó and made an international name for himself with books such as Paris de nuit (Paris After Dark) (1933) and Voluptés de Paris (Pleasures of Paris) (1935), in which he captured both the seedier sides of the French capital and its high society. “There are many similarities between what we call the 'underworld' and the 'fashionable world,” he said. Over the course of his career he photographed many of his artist friends including Henri Matisse, Pablo Picasso, Salvador Dalí, and Alberto Giacometti, as well as prominent writers such as Jean Genet.

Henri Matisse
French, 1869–1954
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Henri Matisse was a leading figure of Fauvism and, along with Pablo Picasso, one of the most influential artists of the modern era. In his paintings, sculptures, and works on paper, Matisse experimented with vivid colors, Pointillist techniques, and reduced, flat shapes. “What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter,” he once said; his subjects of choice included nudes, dancers, still lifes, and interior scenes. Matisse’s animated brushwork and seemingly arbitrary application of bright colors, as in Woman with a Hat (1905), would prove foundational to Fauvism, while his similarly radical The Red Studio (1911) was a seminal, nearly monochromatic study in perspective. Later in life, physically debilitated, Matisse would turn to making bold, cut-paper collages. He has influenced a wide range of important 20th-century painters, from Hans Hofmann and Milton Avery to Tom Wesselmann and David Hockney.

Brassaï, ‘Revue Hommage. [Issue] 2-Juin 44. Dessins de Matisse’, Doyle
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View
View in room
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About the work
Provenance
D
Doyle

Monaco: Hommage, 1944. One of 1000 copies. Original printed wrappers [4] pp. text by André Rouveyre, with an original photograph of Brassaï, reproductions of drawings by Matisse, and a frontispiece by Leonor Fini. Slight loss to foot of spine, light wear and soiling

Medium
Photography
Brassaï
French, born Hungary, 1899–1984
Follow

Whether a couple embracing in a seedy nightclub, a prostitute flaunting herself under a streetlight, or a huddle of petty criminals under an otherwise abandoned bridge, Brassaï found poetry in the derelict. “The thing that is magnificent about photography is that it can produce images that incite emotion based on the subject matter alone,” he once said. Best known for photographing candid night-time scenes in the Montparnasse district of Paris—an area populated with artists, streetwalkers, petty criminals, and prostitutes (subjects that initially scandalized the public)—Brassaï was dubbed the “eye of Paris” by his friend, the American writer Henry Miller. Originally born Gyula Halász, he later acquired the pseudonym Brassaï after his Hungarian hometown Brassó and made an international name for himself with books such as Paris de nuit (Paris After Dark) (1933) and Voluptés de Paris (Pleasures of Paris) (1935), in which he captured both the seedier sides of the French capital and its high society. “There are many similarities between what we call the 'underworld' and the 'fashionable world,” he said. Over the course of his career he photographed many of his artist friends including Henri Matisse, Pablo Picasso, Salvador Dalí, and Alberto Giacometti, as well as prominent writers such as Jean Genet.

Henri Matisse
French, 1869–1954
Follow

Henri Matisse was a leading figure of Fauvism and, along with Pablo Picasso, one of the most influential artists of the modern era. In his paintings, sculptures, and works on paper, Matisse experimented with vivid colors, Pointillist techniques, and reduced, flat shapes. “What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter,” he once said; his subjects of choice included nudes, dancers, still lifes, and interior scenes. Matisse’s animated brushwork and seemingly arbitrary application of bright colors, as in Woman with a Hat (1905), would prove foundational to Fauvism, while his similarly radical The Red Studio (1911) was a seminal, nearly monochromatic study in perspective. Later in life, physically debilitated, Matisse would turn to making bold, cut-paper collages. He has influenced a wide range of important 20th-century painters, from Hans Hofmann and Milton Avery to Tom Wesselmann and David Hockney.

Revue Hommage. [Issue] 2-Juin 44. Dessins de Matisse

12 3/4 × 9 3/4 in
32.4 × 24.8 cm
Bidding closed
Want to sell a work by these artists? Consign with Artsy.
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