Brice Marden, ‘Etching to Rexroth #10’, 1986, Print, Etching and aquatint, inde/jacobs
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Brice Marden

Etching to Rexroth #10, 1986

Etching and aquatint
19 1/2 × 16 in
49.5 × 40.6 cm
Edition 11/45
.
$7,000
Location
Marfa
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About the work
inde/jacobs
Marfa

In excellent condition

Medium
Signature
Signed, dated, numbered.
Price ranges of medium-sized prints by Brice Marden
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More info
Browse works in this category
$5,000–$7,500
This work
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$52,500+
Brice Marden
American, b. 1938
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Best known for his striking calligraphic abstractions and serene early monochromes, Brice Marden is among the most esteemed and influential artists working today. In his trademark lyrical works, Marden paints a network of serpentine lines flowing hypnotically throughout the picture plane; he sometimes replaces paintbrushes with sticks or other natural implements to effect a more gestural and organic appearance. Marden draws on a range of influences in his practice, including Jasper Johns and Robert Rauschenberg (for whom he worked) and Asian art and calligraphy, as well as the Old Masters, rejecting most of his contemporaries as overly clinical. In his early monochrome works, created amidst the Color Field Painting and Minimalism of 1960s New York, Marden used abstraction deliberately as a way to evoke an emotional and subjective response from his viewers. “You should just look at it and react to it on your own,” he says. “Just relax and let go.”

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Brice Marden, ‘Etching to Rexroth #10’, 1986, Print, Etching and aquatint, inde/jacobs
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Save
Save
View
View in room
Share
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About the work
inde/jacobs
Marfa

In excellent condition

Medium
Signature
Signed, dated, numbered.
Price ranges of medium-sized prints by Brice Marden
Learn more
More info
Browse works in this category
$5,000–$7,500
This work
$0
$52,500+
Brice Marden
American, b. 1938
Follow

Best known for his striking calligraphic abstractions and serene early monochromes, Brice Marden is among the most esteemed and influential artists working today. In his trademark lyrical works, Marden paints a network of serpentine lines flowing hypnotically throughout the picture plane; he sometimes replaces paintbrushes with sticks or other natural implements to effect a more gestural and organic appearance. Marden draws on a range of influences in his practice, including Jasper Johns and Robert Rauschenberg (for whom he worked) and Asian art and calligraphy, as well as the Old Masters, rejecting most of his contemporaries as overly clinical. In his early monochrome works, created amidst the Color Field Painting and Minimalism of 1960s New York, Marden used abstraction deliberately as a way to evoke an emotional and subjective response from his viewers. “You should just look at it and react to it on your own,” he says. “Just relax and let go.”

Brice Marden

Etching to Rexroth #10, 1986

Etching and aquatint
19 1/2 × 16 in
49.5 × 40.6 cm
Edition 11/45
.
$7,000
Location
Marfa
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Brice Marden
Other works from inde/jacobs
Related works
Most Similar
Minimalism