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Bridget Riley

Intervals 1, 2019

Screenprint in colours on white wove paper
20 1/5 × 16 in
51.2 × 40.6 cm
This is part of a limited edition set.
£1,000 - 2,500
location
Bristol
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Lougher Contemporary
Bristol
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One of the most significant living artists, Riley's work has radically explored the active role …

Read more

One of the most significant living artists, Riley's work has radically explored the active role of perception in art, using the interrelationship between line and color to convey movement and light within the pictorial field. From the early 1960s, the artist has employed elementary shapes–such as circles, stripes, …

Read more
Condition
Mint condition
Signature
Hand-signed by artist, Signed, numbered, dated and titled by artist, recto
Certificate of authenticity
Not included
Frame
Included
Bridget Riley
British, b. 1931
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Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
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About the work
Lougher Contemporary
Bristol
Follow

One of the most significant living artists, Riley's work has radically explored the active role …

Read more

One of the most significant living artists, Riley's work has radically explored the active role of perception in art, using the interrelationship between line and color to convey movement and light within the pictorial field. From the early 1960s, the artist has employed elementary shapes–such as circles, stripes, …

Read more
Condition
Mint condition
Signature
Hand-signed by artist, Signed, numbered, dated and titled by artist, recto
Certificate of authenticity
Not included
Frame
Included
Bridget Riley
British, b. 1931
Follow

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Bridget Riley

Intervals 1, 2019

Screenprint in colours on white wove paper
20 1/5 × 16 in
51.2 × 40.6 cm
This is part of a limited edition set.
£1,000 - 2,500
location
Bristol
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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