Bridget Riley, ‘Intervals 1’, 2019, Print, Screenprint in colours on white wove paper, Lougher Contemporary
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Bridget Riley

Intervals 1, 2019

Screenprint in colours on white wove paper
20 1/5 × 16 in
51.2 × 40.6 cm
.
£2,500 - 5,000
Location
Bristol
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
LC
Lougher Contemporary
Bristol

Browse our latest availability at www.loughercontemporary.shop

Lougher Contemporary is breaking the …

Medium
Condition
Mint condition. Sold on Consignment.
Signature
Hand-signed by artist, Signed, numbered, dated and titled by artist.
Frame
Included
Bridget Riley
British, b. 1931
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Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Bridget Riley, ‘Intervals 1’, 2019, Print, Screenprint in colours on white wove paper, Lougher Contemporary
Save
Save
View
View in room
Share
Share
LC
Lougher Contemporary
Bristol

Browse our latest availability at www.loughercontemporary.shop

Lougher Contemporary is breaking the traditional rules of the art market, offering a new way to browse and view art. With a focus on competitive pricing, 5* customer service & full transparency over condition and total costs, Lougher Contemporary has …

Medium
Condition
Mint condition. Sold on Consignment.
Signature
Hand-signed by artist, Signed, numbered, dated and titled by artist.
Frame
Included
Bridget Riley
British, b. 1931
Follow

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Bridget Riley

Intervals 1, 2019

Screenprint in colours on white wove paper
20 1/5 × 16 in
51.2 × 40.6 cm
.
£2,500 - 5,000
Location
Bristol
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Bridget Riley
Other works from Lougher Contemporary
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