Bridget Riley, ‘June’, 1992-2002, Christie's
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Bridget Riley

June, 1992-2002

Screenprint in colours on wove paper
40 × 53 1/10 in
101.5 × 135 cm
Edition 36/75
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
C
Christie's

VARIOUS PROPERTIES

Signed, titled and dated in pencil, numbered 36/75, published by Artisan …

Medium
Print
Bridget Riley
British, b. 1931
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Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Bridget Riley, ‘June’, 1992-2002, Christie's
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Save
View
View in room
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About the work
Bibliography
C
Christie's

VARIOUS PROPERTIES

Signed, titled and dated in pencil, numbered 36/75, published by Artisan Editions, Hove, the full sheet, in very good condition, framed.
Image 800 x 1140 mm., Sheet 1015 x 1350 mm.

Christie's Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right …

Medium
Print
Bridget Riley
British, b. 1931
Follow

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Bridget Riley

June, 1992-2002

Screenprint in colours on wove paper
40 × 53 1/10 in
101.5 × 135 cm
Edition 36/75
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Bridget Riley
Related works
Most Similar
Op Art