titled and numbered lower left
edition of 200

Signature: signed and dated lower right

About Bridget Riley

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

British, b. 1931, Norwood, London, United Kingdom, based in London, United Kingdom

Exhibition Highlights On Artsy

Christmas Exhibition, Tanya Baxter Contemporary, London
Eye Attack: Op Art and Kinetic Art 1950-1970, Louisiana Museum of Modern Art, Humlebaek
The Illusive Eye, El Museo del Barrio, New York
Linear Abstraction, Alan Cristea Gallery, London