Bridget Riley, ‘Untitled, from Conspiracy: The Artist as Witness (Schubert, 15)’, 1971, Print, Silkscreen on 100% handmade rag paper, Alpha 137 Gallery
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Bridget Riley

Untitled, from Conspiracy: The Artist as Witness (Schubert, 15), 1971

Silkscreen on 100% handmade rag paper
33 1/2 × 27 1/4 × 3/4 in
85.1 × 69.2 × 1.9 cm
Edition 44/150
.
$12,000 - 18,000
Ships from New York, NY, US
Shipping: $145 domestic, $295 rest of world
Certificate
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About the work
Bibliography
Provenance
Alpha 137 Gallery

Original Op Art three color silkscreen on 100% handmade rag paper from the early 1970s -- the most …

Medium
Condition
Not examined outside of vintage frame but the work is in excellent condition; COA is issued by Alpha 137 Gallery
Signature
Hand-signed by artist, Hand signed, numbered and dated on the lower left recto; also bears the printer's distinctive blind stamp
Certificate of authenticity
Included
Frame
Included
Publisher
Publisher: David Godine and the Center for Constitutional Rights; Printer: Chris Prater, Kelpra Studios Ltd., London, England
Price ranges of medium-sized prints by Bridget Riley
Learn more
More info
Browse works in this category
$18,000–$19,500
This work
$0
$31,500+
Bridget Riley
British, b. 1931
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Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

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Bridget Riley, ‘Untitled, from Conspiracy: The Artist as Witness (Schubert, 15)’, 1971, Print, Silkscreen on 100% handmade rag paper, Alpha 137 Gallery
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Save
Save
View
View in room
Share
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About the work
Bibliography
Provenance
Alpha 137 Gallery

Original Op Art three color silkscreen on 100% handmade rag paper from the early 1970s -- the most desirable and collectible era -- by internationally renowned British abstract Op artist Bridget Riley, one of the leading artists of her generation - and one of the most bankable living female artists in the world. Hand …

Medium
Condition
Not examined outside of vintage frame but the work is in excellent condition; COA is issued by Alpha 137 Gallery
Signature
Hand-signed by artist, Hand signed, numbered and dated on the lower left recto; also bears the printer's distinctive blind stamp
Certificate of authenticity
Included
Frame
Included
Publisher
Publisher: David Godine and the Center for Constitutional Rights; Printer: Chris Prater, Kelpra Studios Ltd., London, England
Price ranges of medium-sized prints by Bridget Riley
Learn more
More info
Browse works in this category
$18,000–$19,500
This work
$0
$31,500+
Bridget Riley
British, b. 1931
Follow

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late '60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers' perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

Bridget Riley

Untitled, from Conspiracy: The Artist as Witness (Schubert, 15), 1971

Silkscreen on 100% handmade rag paper
33 1/2 × 27 1/4 × 3/4 in
85.1 × 69.2 × 1.9 cm
Edition 44/150
.
$12,000 - 18,000
Ships from New York, NY, US
Shipping: $145 domestic, $295 rest of world
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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