Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's
Bruce Nauman, ‘Untitled (Gemini 36.36-43)’, 1994, Sotheby's

Sold to Benefit SITE Santa Fe

The etchings variously inscribed, artist's proofs aside from the numbered edition of 50, the monotype from the edition of 90 unique prints, the etchings on Lana Royal white wove paper, the monotype on BFK Rives wove paper, each with the blindstamp of the printer and publisher, Gemini, G.E.L., Los Angeles (8 prints).

etching: 502 by 559 mm 19 3/4 by 22 in
monotype: 895 by 889 mm 35 1/4 by 35 in

About Bruce Nauman

Using an array of media including video installation, performance, sculpture, and photography, Bruce Nauman is known for conceptual works that explore space, language, and the body. Nauman infuses his pieces with irony and humor, creating verbal and visual puns to often-unsettling effect, challenging viewers and making them aware of their own physicality. Nauman’s neon works explore the semantic and metaphorical possibilities that arise from subtly rearranging a few letters, such as in Run from Fear, Fun from Rear (1972).

American, b. 1941, Fort Wayne, Indiana, based in New Mexico