The Beauty of the Basics, and Radical Innovations, at Christopher-Clark Fine Art
Sixth, final state, with the artist's black monogram stamp (L. 613e), numbered no3 in pencil, from the posthumous edition of seven impressions printed in 1923 (there were also 15 lifetime impressions printed in colours), the full sheet, pale light- and time staining, otherwise in good, original condition, framed.
Plate 154 x 242 mm., Sheet 267 x 309 mm.
Often regarded as the first Impressionist, Camille Pissarro is known both for his revelatory plein air landscape pictures, such as in The Path to Les Puilleaux, Pontoise (1881), and for mentoring artists including Paul Cézanne and Paul Gauguin. Pisarro himself was inspired by the rural scenes of Realists Jean Francois Millet and Gustave Courbet. He also received artistic guidance from Jean-Baptiste Camille Corot, who instructed him in outdoor painting after Pissarro’s move to Paris in 1855. Pissarro, however, placed greater emphasis than Corot on spontaneity, saying “paint generously and unhesitatingly, for it is best not to lose the first impression.” From 1885-1889 Pisarro worked with Divisionist artists Paul Signac and Georges Seurat, but their meticulous method proved too rigid for Pissarro, who felt that it could not capture the movement and randomness of nature.
Danish-French, 1830-1903, Charlotte Amalie, St. Thomas, U.S. Virgin Islands, based in Paris, France