The Beauty of the Basics, and Radical Innovations, at Christopher-Clark Fine Art
The only known impression of the second state (of three), signed and inscribed no 1-2e état/ La Vache/ manière grise et aquatinte sur cuivre in black ink, with wide margins, a few ink marks at the left sheet edge, in very good condition.
Plate 117 x 112 mm., Sheet 196 x 253 mm.
From the Catalogue:
Delteil cites only one impression for the first and second states respectively, before the edition of 12 for the third, final state. A further seven posthumous impressions of the third state were issued with the artist's stamp signature.
—Courtesy of Christie's
Delteil 58 (this impression cited)
Often regarded as the first Impressionist, Camille Pissarro is known both for his revelatory plein air landscape pictures, such as in The Path to Les Puilleaux, Pontoise (1881), and for mentoring artists including Paul Cézanne and Paul Gauguin. Pisarro himself was inspired by the rural scenes of Realists Jean Francois Millet and Gustave Courbet. He also received artistic guidance from Jean-Baptiste Camille Corot, who instructed him in outdoor painting after Pissarro’s move to Paris in 1855. Pissarro, however, placed greater emphasis than Corot on spontaneity, saying “paint generously and unhesitatingly, for it is best not to lose the first impression.” From 1885-1889 Pisarro worked with Divisionist artists Paul Signac and Georges Seurat, but their meticulous method proved too rigid for Pissarro, who felt that it could not capture the movement and randomness of nature.
Danish-French, 1830-1903, Charlotte Amalie, St. Thomas, U.S. Virgin Islands, based in Paris, France