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LE PORT PRÈS LA DOUANE, À ROUEN (DELTEIL 43), 1883

Etching
Edition of 30
Bidding closed
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About the work
D
Doyle

Second state of two, with full margins, framed.

4 3/4 x 5 7/8 inches; 121 x 149 mm. Sheet 10 3/4 x …

Read more

Second state of two, with full margins, framed.

4 3/4 x 5 7/8 inches; 121 x 149 mm. Sheet 10 3/4 x 12 3/4 inches; 273 x 324 mm.

Medium
Print
Signature
With the artist's blue monogram inkstamp (Lugt supplement 613d), inscribed No. 19 and titled in pencil
Camille Pissarro
Danish-French, 1830–1903
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Often regarded as the first Impressionist, Camille Pissarro is known both for his revelatory plein air landscape pictures, such as in The Path to Les Puilleaux, Pontoise (1881), and for mentoring artists including Paul Cézanne and Paul Gauguin. Pisarro himself was inspired by the rural scenes of Realists Jean Francois Millet and Gustave Courbet. He also received artistic guidance from Jean-Baptiste Camille Corot, who instructed him in outdoor painting after Pissarro’s move to Paris in 1855. Pissarro, however, placed greater emphasis than Corot on spontaneity, saying “paint generously and unhesitatingly, for it is best not to lose the first impression.” From 1885-1889 Pisarro worked with Divisionist artists Paul Signac and Georges Seurat, but their meticulous method proved too rigid for Pissarro, who felt that it could not capture the movement and randomness of nature.

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About the work
D
Doyle

Second state of two, with full margins, framed.

4 3/4 x 5 7/8 inches; 121 x 149 mm. Sheet 10 3/4 x …

Read more

Second state of two, with full margins, framed.

4 3/4 x 5 7/8 inches; 121 x 149 mm. Sheet 10 3/4 x 12 3/4 inches; 273 x 324 mm.

Medium
Print
Signature
With the artist's blue monogram inkstamp (Lugt supplement 613d), inscribed No. 19 and titled in pencil
Camille Pissarro
Danish-French, 1830–1903
Follow

Often regarded as the first Impressionist, Camille Pissarro is known both for his revelatory plein air landscape pictures, such as in The Path to Les Puilleaux, Pontoise (1881), and for mentoring artists including Paul Cézanne and Paul Gauguin. Pisarro himself was inspired by the rural scenes of Realists Jean Francois Millet and Gustave Courbet. He also received artistic guidance from Jean-Baptiste Camille Corot, who instructed him in outdoor painting after Pissarro’s move to Paris in 1855. Pissarro, however, placed greater emphasis than Corot on spontaneity, saying “paint generously and unhesitatingly, for it is best not to lose the first impression.” From 1885-1889 Pisarro worked with Divisionist artists Paul Signac and Georges Seurat, but their meticulous method proved too rigid for Pissarro, who felt that it could not capture the movement and randomness of nature.

LE PORT PRÈS LA DOUANE, À ROUEN (DELTEIL 43), 1883

Etching
Edition of 30
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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