Carlo Maria Mariani, ‘Idols’, 2000, The Watermill Center Benefit Auction
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Idols, 2000

Pencil, collage, and white chalk on paper
11 1/8 × 12 1/8 in
28.3 × 30.8 cm
Bidding closed
About the work
The Watermill Center Benefit Auction

Carlo Maria Mariani is an Italian-born artist based in New York City. Mariani is a conceptual …

Medium
Drawing, Collage or other Work on Paper
Signature
Signed
Image rights
Courtesy of the Artist and Francis Nauman Fine Art
Carlo Maria Mariani
Italian, b. 1931
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Beneath the surface of classical imagery, Carlo Maria Mariani’s hyperrealistic allegorical paintings constitute “a vital dialogue with contemporary art, concerns of the day, and human endeavor in a troubled world,” as one critic wrote. His elegant depictions of Greco-Roman nudes allude as much to Marcel Duchamp, René Magritte, and Joseph Beuys, as they do to the antiquities that abound in his native Rome, or to the 18th-century Neoclassicism that revived those ideals of beauty. Ranging from enigmatic, conceptual scenes that juxtapose different styles to masterfully executed classical heads set against abstract backdrops, Mariani’s work, writes David Bourdon, “affirms his belief that certain ideals and values transcend the time and place of their origin and continue to exert a seductive appeal beyond the framework of history.”

Carlo Maria Mariani, ‘Idols’, 2000, The Watermill Center Benefit Auction
Save
Save
View
View in room
Share
Share
About the work
The Watermill Center Benefit Auction

Carlo Maria Mariani is an Italian-born artist based in New York City. Mariani is a conceptual painter. His work has been exhibited in numerous solo and group exhibitions, including shows at the HIrshhorn Museum, Museum of Modern Art in New York City, San Francisco Museum of Modern Art, Los Angeles County Museum of …

Medium
Drawing, Collage or other Work on Paper
Signature
Signed
Image rights
Courtesy of the Artist and Francis Nauman Fine Art
Carlo Maria Mariani
Italian, b. 1931
Follow

Beneath the surface of classical imagery, Carlo Maria Mariani’s hyperrealistic allegorical paintings constitute “a vital dialogue with contemporary art, concerns of the day, and human endeavor in a troubled world,” as one critic wrote. His elegant depictions of Greco-Roman nudes allude as much to Marcel Duchamp, René Magritte, and Joseph Beuys, as they do to the antiquities that abound in his native Rome, or to the 18th-century Neoclassicism that revived those ideals of beauty. Ranging from enigmatic, conceptual scenes that juxtapose different styles to masterfully executed classical heads set against abstract backdrops, Mariani’s work, writes David Bourdon, “affirms his belief that certain ideals and values transcend the time and place of their origin and continue to exert a seductive appeal beyond the framework of history.”

Idols, 2000

Pencil, collage, and white chalk on paper
11 1/8 × 12 1/8 in
28.3 × 30.8 cm
Bidding closed
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