Carlos Motta, ‘Hermafrodit  from Beloved Martina Series’, 2016, Mor Charpentier

From the series Beloved Martina
Beloved Martina is a series of ten small-scale sandstone 3D-printed sculptures modeled on Greco-Roman, 16thand 17thcentury statues of Hermaphroditus, the son of Hermes and Aphrodite, whose body merged with that of the water nymph Salmacis into an androgynous form.Two of the sculptures are modeled on late 19thand early 20thcentury black and white photographsandone by French photographer Nadar. The sculptures are of the enduring historical fascination with the intersex figure and the ways in which intersexbodieshavebeen subject to the classifying gaze

Provenance:The head, basket and feet were made in the 1700s by restoration, while the body is ancient. The selected face beautifies the sculpture and was perceived to be the beautiful Hermaphroditos rather than the burlesque Priapos, which in antiquity was depicted with bearded, elderly, unattractive features

About Carlos Motta

Carlos Motta is known for using multiple mediums, often several in combination, to investigate social and cultural injustices—particularly surrounding marginalized communities. Motta, who considers his installations “social sculptures”, aims to look beyond individual identity issues to explore group or communal politics. His recent project We Who Feel Differently (2011)—a documentary database of issues in queer culture around the world—was presented as an online platform, a book, an installation, and a series of performances. This was the last part of a five-year project he called “The Democracy Cycle,” for which he gathered different meanings of the term “democracy.” Motta wants his works to have a common message: “I can see the world in a way that you can’t, and the way that I see it is actually really great so you should come on the ride with me.”

Colombian, b. 1978, based in New York, NY, United States