Carlos Rolón, ‘Double Barrel Purple Micro Dot, III’, 2012, Heritage Auctions
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Carlos Rolón

Double Barrel Purple Micro Dot, III, 2012

Silkscreen with enamel inks and diamond dust on 2-ply museum board
18 × 18 in
45.7 × 45.7 cm
Edition of 24
Bidding closed
About the work
HA
Heritage Auctions

Published by Lococo Fine Art Publisher, St. Louis, Missouri

Medium
Print
Image rights
Courtesy of Heritage Auctions
Carlos Rolón
American, b. 1970
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Dzine—pronounced “design”—is the moniker of Carlos Rolon. Wary of stereotypes and pigeonholing, he shifts between easel painting, sculpture, installation, and large-scale murals, exploring cultural tensions, aspirational mobility, and outward appearances through a uniquely biographical, immigrant-focused lens. The artist’s work is largely concerned with “kustom kulture,” a retro-tinged blue collar aesthetic, and its relationship to faux opulence and upper-class aspiration. This focus on over-the-top glamour addresses Dzine’s personal grappling with his dual mainland-American and Puerto Rican identity. His series of crystal-embellished mirrors mimics the security gates of Puerto Rican houses, contradictorily alluring and keeping people away, while a series of ornate sculptural works reference the belts and trophies of boxing culture; such cultural objects allude to Dzine’s time spent watching boxing matches with his father as well as an out-of-reach upper-class lifestyle.

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Carlos Rolón, ‘Double Barrel Purple Micro Dot, III’, 2012, Heritage Auctions
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Save
View
View in room
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About the work
HA
Heritage Auctions

Published by Lococo Fine Art Publisher, St. Louis, Missouri

Medium
Print
Image rights
Courtesy of Heritage Auctions
Carlos Rolón
American, b. 1970
Follow

Dzine—pronounced “design”—is the moniker of Carlos Rolon. Wary of stereotypes and pigeonholing, he shifts between easel painting, sculpture, installation, and large-scale murals, exploring cultural tensions, aspirational mobility, and outward appearances through a uniquely biographical, immigrant-focused lens. The artist’s work is largely concerned with “kustom kulture,” a retro-tinged blue collar aesthetic, and its relationship to faux opulence and upper-class aspiration. This focus on over-the-top glamour addresses Dzine’s personal grappling with his dual mainland-American and Puerto Rican identity. His series of crystal-embellished mirrors mimics the security gates of Puerto Rican houses, contradictorily alluring and keeping people away, while a series of ornate sculptural works reference the belts and trophies of boxing culture; such cultural objects allude to Dzine’s time spent watching boxing matches with his father as well as an out-of-reach upper-class lifestyle.

Carlos Rolón

Double Barrel Purple Micro Dot, III, 2012

Silkscreen with enamel inks and diamond dust on 2-ply museum board
18 × 18 in
45.7 × 45.7 cm
Edition of 24
Bidding closed
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