Carol Rama, ‘La Corona di Keaton’, circa 1990, Sotheby's
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Carol Rama

La Corona di Keaton, circa 1990

Watercolor, felt-tip pen and leather collage on paper
9 1/2 × 13 in
24.1 × 33 cm
Bidding closed
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About the work
Provenance
S
Sotheby's

Executed circa 1990.

Medium
Drawing, Collage or other Work on Paper
Signature
Signed
Carol Rama
Italian, 1918–2015
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In her decades-spanning practice, Carol Rama has explored sexuality and desire through different materials and mediums. Self-taught, Rama began painting as a means of dealing with family tragedies. In her early work in the 1930s and 1940s, she created lustful images of the female body, highlighting sexuality and pleasure as major themes. Rama later experimented with abstraction and assemblage in the vein of arte povera, using bicycle tires from her father’s factory before he declared bankruptcy and committed suicide. She returned to making paintings and watercolors in the 1980s. The recipient of the Golden Lion at the 50th Venice Biennale, Rama falls outside the confines of any particular artistic movement or period, but she remains a seminal figure and an important influence to artists such as Cindy Sherman and Kiki Smith.

Carol Rama, ‘La Corona di Keaton’, circa 1990, Sotheby's
Save
Save
View
View in room
Share
Share
About the work
Provenance
S
Sotheby's

Executed circa 1990.

Medium
Drawing, Collage or other Work on Paper
Signature
Signed
Carol Rama
Italian, 1918–2015
Follow

In her decades-spanning practice, Carol Rama has explored sexuality and desire through different materials and mediums. Self-taught, Rama began painting as a means of dealing with family tragedies. In her early work in the 1930s and 1940s, she created lustful images of the female body, highlighting sexuality and pleasure as major themes. Rama later experimented with abstraction and assemblage in the vein of arte povera, using bicycle tires from her father’s factory before he declared bankruptcy and committed suicide. She returned to making paintings and watercolors in the 1980s. The recipient of the Golden Lion at the 50th Venice Biennale, Rama falls outside the confines of any particular artistic movement or period, but she remains a seminal figure and an important influence to artists such as Cindy Sherman and Kiki Smith.

Carol Rama

La Corona di Keaton, circa 1990

Watercolor, felt-tip pen and leather collage on paper
9 1/2 × 13 in
24.1 × 33 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.