This work - a woman's legs and feet showing below the changing room curtain - continues Daley's exploration of ideas of fashion and form. The work is on vellum, and floats within the frame. Framed 43.5 x 32.5 inches “These drawings reflect a contemporary, post-feminist ambivalence toward fashion, critiquing the garment industry’s wrapped-and-bound feminine ideal and the notion of woman as spectacle. But irony in Daley’s cultural criticism is the source of much of the drawing’s wit. While recognizing the limitations imposed by old ideals, she also acknowledges their grace and appeal and expresses a certain nostalgia and yearning.” Art in America Cathy Daley lives in Toronto and has been exhibiting her work throughout Canada and internationally since 1980. She has shown in numerous public galleries and museums, artist run centres and commercial galleries including The Power Plant, The Museum of Contemporary Canadian Art, The Saidye Bronfman Centre, The Southern Alberta Art Gallery and the University of Toronto Art Centre and Mercer Union and Museum Dhondt Dhaenens in Belgium. Most notably, her work is in the collection of The National Gallery of Canada and The Art Gallery of Ontario as well as many other public institutions and private collections. Her work has been written about in numerous publications such as Art in America, Border Crossings and Canadian Art Magazine. She has received awards from the Canada Council for the Arts, the Ontario Arts Council, the Toronto Arts Council and the Bertolt Brecht Fund of Berlin. She is an Associate Professor at OCAD University.
About Cathy Daley
Cathy Daley’s black, oil-pastel silhouettes of women’s bodies reflect an enduring fascination with female form and identity. Depicting dainty and lithe female figures in dresses, tutus, gowns, and high heels, her images are inspired by fashion, fairytales, and Hollywood. Daley renders her subjects in thick black ink on almost translucent vellum, with vivacious, scrawling scribbles. The contrast between opaque ink and delicate paper creates a tension between weighty, striking forms and the lightness attributed to figures like ballerinas or fairies, suggesting an ambivalent attitude toward the mode of femininity she represents.
Canadian, b. 1955, Toronto, Canada, based in Toronto, Canada