Charles Gaines, ‘Numbers and Trees: Project 1 Edition’, 2016, Los Angeles Contemporary Exhibitions: Benefit Auction 2017

AP 5/5, (Edition of 100)
Framed: 23 x 19 in.

Los Angeles-based artist Charles Gaines (b. 1944) is celebrated for his photographs, drawings, and works on paper that investigate how rules-based procedures construct order and meaning. In 2015, he presented a critically acclaimed retrospective exhibition at the Hammer Museum, which travelled from the Studio Museum in Harlem shown in 2014. His work has also recently been featured in recent major group exhibitions including The Freedom Principle (ICA Philadelphia, 2016; Museum of Contemporary Art, Chicago, 2015), 56th Biennale di Venezia (Venice, Italy, 2015), Prospect.3 New Orleans (Contemporary Art Center, New Orleans, 2014), and the Montreal Biennale (2014).
Courtesy of LACE

About Charles Gaines

In diverse and intellectually complex works, Charles Gaines explores the accidental, the tension between logical systems and the human hand, and the ways in which meaning is derived from art. Gaines cites John Cage as a major influence, and much of his work dwells on chance: Airplanecrash Clock (1997) is a kinetic sculpture in which a model plane repeatedly nose-dives to the ground, while text-and-photo pieces in “Absent Figures” (2000-01) record fatal mountaineering disasters on Mount Rainier in Washington. For Manifestos (2008), a collection of digital videos, musical compositions, and drawings, Gaines developed a system for translating excerpts from four revolutionary manifestos of the 20th century into musical scores, which play on speakers alongside the texts. Gaines is also interested in environmental degradation; Greenhouse (2007) is a sculptural enclosure whose lights and environmental conditions shift according to computer-generated readings of air pollution levels in California.

American, b. 1944, Charleston, South Carolina, based in Los Angeles, California