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Charles Gaines, ‘Walnut Tree Orchard, Set 4 (version 2) ’, 1975-2014, Hammer Museum
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Charles Gaines

Walnut Tree Orchard, Set 4 (version 2) , 1975-2014

Photograph, ink on paper. Triptych: 29 × 23 in. each
31 1/2 × 25 1/2 × 1 1/2 in
80 × 64.8 × 3.8 cm
Location
Los Angeles
About the work
Articles
Charles Gaines
American, b. 1944
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In diverse and intellectually complex works, Charles Gaines explores the accidental, the tension between logical systems and the human hand, and the ways in which meaning is derived from art. Gaines cites John Cage as a major influence, and much of his work dwells on chance: Airplanecrash Clock (1997) is a kinetic sculpture in which a model plane repeatedly nose-dives to the ground, while text-and-photo pieces in “Absent Figures” (2000-01) record fatal mountaineering disasters on Mount Rainier in Washington. For Manifestos (2008), a collection of digital videos, musical compositions, and drawings, Gaines developed a system for translating excerpts from four revolutionary manifestos of the 20th century into musical scores, which play on speakers alongside the texts. Gaines is also interested in environmental degradation; Greenhouse (2007) is a sculptural enclosure whose lights and environmental conditions shift according to computer-generated readings of air pollution levels in California.

Charles Gaines, ‘Walnut Tree Orchard, Set 4 (version 2) ’, 1975-2014, Hammer Museum
Save
Save
View
View in room
Share
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About the work
Articles
Charles Gaines
American, b. 1944
Follow

In diverse and intellectually complex works, Charles Gaines explores the accidental, the tension between logical systems and the human hand, and the ways in which meaning is derived from art. Gaines cites John Cage as a major influence, and much of his work dwells on chance: Airplanecrash Clock (1997) is a kinetic sculpture in which a model plane repeatedly nose-dives to the ground, while text-and-photo pieces in “Absent Figures” (2000-01) record fatal mountaineering disasters on Mount Rainier in Washington. For Manifestos (2008), a collection of digital videos, musical compositions, and drawings, Gaines developed a system for translating excerpts from four revolutionary manifestos of the 20th century into musical scores, which play on speakers alongside the texts. Gaines is also interested in environmental degradation; Greenhouse (2007) is a sculptural enclosure whose lights and environmental conditions shift according to computer-generated readings of air pollution levels in California.

Charles Gaines

Walnut Tree Orchard, Set 4 (version 2) , 1975-2014

Photograph, ink on paper. Triptych: 29 × 23 in. each
31 1/2 × 25 1/2 × 1 1/2 in
80 × 64.8 × 3.8 cm
Location
Los Angeles
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