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Charlotte Perriand, ‘Dining table, model "a gorges"’, 1958, Galerie Matthieu Richard
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Dining table, model "a gorges", 1958

Ash wood
27 3/5 × 78 3/10 × 31 1/2 in
70 × 199 × 80 cm
Sold
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About the work
GMR
Galerie Matthieu Richard
Paris

This table is exhibited with its original package coming from galerie Steph Simon Paris

Medium
Design/Decorative Art
Manufacturer
galerie Steph Simon Paris
Image rights
Copyright Hervé Lewandowski
Charlotte Perriand
French, 1903–1999
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Charlotte Perriand was a rare female voice among the avant-garde designers whose designs shaped modern living in the early 20th century. As a student, she rejected the popular Beaux-Arts style and found inspiration instead in machine-age technology. She joined the studio of Le Corbusier at 24, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials. “The most important thing to realize is that what drives the modern movement is a spirit of enquiry; it’s a process of analysis and not a style,” she said near the end of her life. “We worked with ideals.”

Charlotte Perriand, ‘Dining table, model "a gorges"’, 1958, Galerie Matthieu Richard
Save
Save
Share
Share
About the work
GMR
Galerie Matthieu Richard
Paris

This table is exhibited with its original package coming from galerie Steph Simon Paris

Medium
Design/Decorative Art
Manufacturer
galerie Steph Simon Paris
Image rights
Copyright Hervé Lewandowski
Charlotte Perriand
French, 1903–1999
Follow

Charlotte Perriand was a rare female voice among the avant-garde designers whose designs shaped modern living in the early 20th century. As a student, she rejected the popular Beaux-Arts style and found inspiration instead in machine-age technology. She joined the studio of Le Corbusier at 24, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials. “The most important thing to realize is that what drives the modern movement is a spirit of enquiry; it’s a process of analysis and not a style,” she said near the end of her life. “We worked with ideals.”

Dining table, model "a gorges", 1958

Ash wood
27 3/5 × 78 3/10 × 31 1/2 in
70 × 199 × 80 cm
Sold
Want to sell a work by this artist? Consign with Artsy.
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