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Set of seventy-two wall lights, model no. CP1, ca. 1975

Painted steel, acrylic
Bidding closed
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About the work
Bibliography
Provenance
P
Phillips

Property Subject to VAT Section 4 (20%; see Conditions of Sale for further information)

Each: 12.6 …

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Property Subject to VAT Section 4 (20%; see Conditions of Sale for further information)

Each: 12.6 x 16.5 x 7.7 cm (4 7/8 x 6 1/2 x 3 in.)
Editioned by Galerie Steph Simon, Paris, France. Each wall fixture embossed with Modele C P 1/© Charlotte Perriand/Fabrique en France/SS/Editions Steph Simon.

Charlotte Perriand
French, 1903–1999
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Charlotte Perriand was a rare female voice among the avant-garde designers whose designs shaped modern living in the early 20th century. As a student, she rejected the popular Beaux-Arts style and found inspiration instead in machine-age technology. She joined the studio of Le Corbusier at 24, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials. “The most important thing to realize is that what drives the modern movement is a spirit of enquiry; it’s a process of analysis and not a style,” she said near the end of her life. “We worked with ideals.”

Save
Save
share
Share
Save
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share
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About the work
Bibliography
Provenance
P
Phillips

Property Subject to VAT Section 4 (20%; see Conditions of Sale for further information)

Each: 12.6 …

Read more

Property Subject to VAT Section 4 (20%; see Conditions of Sale for further information)

Each: 12.6 x 16.5 x 7.7 cm (4 7/8 x 6 1/2 x 3 in.)
Editioned by Galerie Steph Simon, Paris, France. Each wall fixture embossed with Modele C P 1/© Charlotte Perriand/Fabrique en France/SS/Editions Steph Simon.

Charlotte Perriand
French, 1903–1999
Follow

Charlotte Perriand was a rare female voice among the avant-garde designers whose designs shaped modern living in the early 20th century. As a student, she rejected the popular Beaux-Arts style and found inspiration instead in machine-age technology. She joined the studio of Le Corbusier at 24, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials. “The most important thing to realize is that what drives the modern movement is a spirit of enquiry; it’s a process of analysis and not a style,” she said near the end of her life. “We worked with ideals.”

Set of seventy-two wall lights, model no. CP1, ca. 1975

Painted steel, acrylic
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Charlotte Perriand