Medium

Chen Xiaoyun grapples with China’s tumultuous recent history and breakneck modernization. A photographer and video artist, Chen stages quotidian scenes that contain an element of strangeness, resulting in images that straddle the mundane and the existential. Nighttime scenes of ambiguity—like shots of submissive, naked men wrestling with branches or otherwise looking anguished—lend much of Chen’s work a disturbing quality, while others have an element of absurdity, like Merry Christmas (2006), which portrays a man dressed as Santa Claus lurking on a dark street corner. Others are more politically charged, commenting on life under the influence of hegemonic America or equating historical tyrants’ abuse of their people to exploitative sex.

Blue-chip
Represented by internationally recognized galleries.
Selected exhibitions
2018
PHOTOFAIRS | InsightsPHOTOFAIRS | Insights
ShanghART at PHOTOFAIRS | Shanghai 2018ShanghART
2013
CLUTCHShanghART
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State Terrorism in Ultimate Form of Pre-Raphaelite Brotherhood, 2012

Photograph
47 × 31 in
119.4 × 78.7 cm
Edition of 8
.
Location
Shanghai, Beijing, Singapore
Medium

Chen Xiaoyun grapples with China’s tumultuous recent history and breakneck modernization. A photographer and video artist, Chen stages quotidian scenes that contain an element of strangeness, resulting in images that straddle the mundane and the existential. Nighttime scenes of ambiguity—like shots of submissive, naked men wrestling with branches or otherwise looking anguished—lend much of Chen’s work a disturbing quality, while others have an element of absurdity, like Merry Christmas (2006), which portrays a man dressed as Santa Claus lurking on a dark street corner. Others are more politically charged, commenting on life under the influence of hegemonic America or equating historical tyrants’ abuse of their people to exploitative sex.

Blue-chip
Represented by internationally recognized galleries.
Selected exhibitions (3)
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