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Chen Xiaoyun

The Flesh Assimilates the World 01, 2013

Colour inkjet
47 1/5 × 59 1/10 in
120 × 150 cm
Edition of 5 + 2AP
This is part of a limited edition set.
location
Shanghai, Beijing, Singapore
Chen Xiaoyun
Chinese, b. 1971
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Chen Xiaoyun grapples with China’s tumultuous recent history and breakneck modernization. A photographer and video artist, Chen stages quotidian scenes that contain an element of strangeness, resulting in images that straddle the mundane and the existential. Nighttime scenes of ambiguity—like shots of submissive, naked men wrestling with branches or otherwise looking anguished—lend much of Chen’s work a disturbing quality, while others have an element of absurdity, like Merry Christmas (2006), which portrays a man dressed as Santa Claus lurking on a dark street corner. Others are more politically charged, commenting on life under the influence of hegemonic America or equating historical tyrants’ abuse of their people to exploitative sex.

Save
Save
view
View in room
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Save
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view
View in room
share
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Chen Xiaoyun
Chinese, b. 1971
Follow

Chen Xiaoyun grapples with China’s tumultuous recent history and breakneck modernization. A photographer and video artist, Chen stages quotidian scenes that contain an element of strangeness, resulting in images that straddle the mundane and the existential. Nighttime scenes of ambiguity—like shots of submissive, naked men wrestling with branches or otherwise looking anguished—lend much of Chen’s work a disturbing quality, while others have an element of absurdity, like Merry Christmas (2006), which portrays a man dressed as Santa Claus lurking on a dark street corner. Others are more politically charged, commenting on life under the influence of hegemonic America or equating historical tyrants’ abuse of their people to exploitative sex.

Chen Xiaoyun

The Flesh Assimilates the World 01, 2013

Colour inkjet
47 1/5 × 59 1/10 in
120 × 150 cm
Edition of 5 + 2AP
This is part of a limited edition set.
location
Shanghai, Beijing, Singapore
Other works by Chen Xiaoyun