Cheong Soo Pieng, ‘Untitled’, 1968-1972, Art Agenda, S.E.A.
Cheong Soo Pieng, ‘Untitled’, 1968-1972, Art Agenda, S.E.A.

The concept of ambiguous space and boundaries is redefined with the closed and opened parts of the merged vase-like ceramic piece. The flowing curvature outlining the shape of the vase attributes to the remarkable elegance of the work, while the interesting srapping and puncturing details of the lower left quadrant of the sculpture when seen from the front accentuates the textural qualities of the artwork.

Signature: Signed in Chinese (under the base)

Image rights: © Art Agenda, S.E.A., 2016

About Cheong Soo Pieng