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Chéri Samba

La vraie carte du monde (N°1), 2011

Acrylic on canvas
53 7/50 × 78 37/50 in
135 × 200 cm
Contact For Price
location
Paris
Have a question? Read our FAQ.
About the work
Signature
Signed and dated
Image rights
Courtesy galerie MAGNIN-A, Paris
Chéri Samba
Congolese, b. 1956
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Chéri Samba was a founding member of the “Popular painting” school along with Pierre Bodo, his paintings exposing everyday life in the Democratic Republic of Congo’s capital city, Kinshasa. His representative, often fantastical paintings incorporate graphic narrative and figures with text and word bubbles that address forefront social and political issues, including AIDS, social inequity, and corruption. Starting in the 1980s, Samba began to portray himself frequently and literally in his works, taking on a direct role as the reporter of his ideas and personal story. “I appeal to people’s consciences,” he says. “Artists must make people think.”

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Signature
Signed and dated
Image rights
Courtesy galerie MAGNIN-A, Paris
Chéri Samba
Congolese, b. 1956
Follow

Chéri Samba was a founding member of the “Popular painting” school along with Pierre Bodo, his paintings exposing everyday life in the Democratic Republic of Congo’s capital city, Kinshasa. His representative, often fantastical paintings incorporate graphic narrative and figures with text and word bubbles that address forefront social and political issues, including AIDS, social inequity, and corruption. Starting in the 1980s, Samba began to portray himself frequently and literally in his works, taking on a direct role as the reporter of his ideas and personal story. “I appeal to people’s consciences,” he says. “Artists must make people think.”

Chéri Samba

La vraie carte du monde (N°1), 2011

Acrylic on canvas
53 7/50 × 78 37/50 in
135 × 200 cm
Contact For Price
location
Paris
Have a question? Read our FAQ.
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