Chris Reinecke, ‘Vorplan für Terminal, die Beobachterin verlässt ihren stationären Posten’, 1998-2002, Beck & Eggeling

for the recent exhibition the work has been framed in a white wooden frame (non-glazed), dimensions: 143x101,5x4 cm

Chris Reinecke: Zeit und Arbeit. Momente – Werke von 1965 bis 2016, Beck & Eggeling International Fine Art, Düsseldorf, curated by Dr. Susanne Rennert, 10 June – 27 August 2016.

studio of the artist