Christian Boltanski, ‘Monument’, 1986, Kewenig Galerie

About Christian Boltanski

Preoccupied with collective memory, mortality, and the passage of time, Christian Boltanski creates paintings, sculptures, films, and mixed-media installations that approach these themes in a range of styles, symbolic to direct. Boltanski often makes metaphorical use of found objects, as in No Man’s Land (2010), an enormous pile of discarded jackets set to the soundtrack of thousands of human heartbeats, suggesting the anonymity, randomness, and inevitability of death. In Monuments (1985), electrical bulbs cast a seemingly bittersweet light on pictures of child holocaust victims. Describing his interest in personal histories, Boltanski has said, “What drives me as an artist is that I think everyone is unique, yet everyone disappears so quickly. […] We hate to see the dead, yet we love them, we appreciate them.”

French, b. 1944, Paris, France, based in Malakoff, France

Solo Shows on Artsy

Christian Boltanski | Heartbeats, Baró Galeria, São Paulo

Group Shows on Artsy

JUST BLACK AND WHITE, Galerie Klüser, München
Loss. In memory of Babi Yar, PinchukArtCentre, Kyiv
Take Me (I’m Yours), Monnaie de Paris, Paris
Installment 1: Inaugural Exhibition, Fondation Louis Vuitton, Paris