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Christoph Steinmeyer, ‘Fleurs du Dystophie’, 2013, Cynthia Corbett Gallery
Christoph Steinmeyer, ‘Fleurs du Dystophie’, 2013, Cynthia Corbett Gallery
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Fleurs du Dystophie, 2013

Pigment print on handmade paper
40 1/5 × 32 3/10 in
102 × 82 cm
This is part of a limited edition set.
Contact For Price
Location
London, London , Miami
Have a question? Visit our help center.
About the work
Medium
Drawing, Collage or other Work on Paper
Christoph Steinmeyer
German, b. 1967
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The fantastical paintings of Christoph Steinmeyer form their own genre, incorporating a mix of Romantic European tradition, portraiture, and Surrealism. Steinmeyer begins his process with a historical painting, enacts digital manipulations upon it—removing heads or physically distorting the composition—and then paints it anew. Despite multiple transformations, the works retain much of their original essence and a recognizable structure. “If it was just the transformation from analog to digital, you wouldn’t be able to sense this transformation,” he says. “One can see and feel the original sources coming from historical backgrounds. It’s an evolution […].” Steinmeyer’s transformations might include the subject of a Titian portrait rendered headless in deep swirls, or Emanuel Gottlieb Leutze’s famous Washington Crossing the Delaware (1851) translated into semi-abstract waves of color.

Christoph Steinmeyer, ‘Fleurs du Dystophie’, 2013, Cynthia Corbett Gallery
Christoph Steinmeyer, ‘Fleurs du Dystophie’, 2013, Cynthia Corbett Gallery
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Medium
Drawing, Collage or other Work on Paper
Christoph Steinmeyer
German, b. 1967
Follow

The fantastical paintings of Christoph Steinmeyer form their own genre, incorporating a mix of Romantic European tradition, portraiture, and Surrealism. Steinmeyer begins his process with a historical painting, enacts digital manipulations upon it—removing heads or physically distorting the composition—and then paints it anew. Despite multiple transformations, the works retain much of their original essence and a recognizable structure. “If it was just the transformation from analog to digital, you wouldn’t be able to sense this transformation,” he says. “One can see and feel the original sources coming from historical backgrounds. It’s an evolution […].” Steinmeyer’s transformations might include the subject of a Titian portrait rendered headless in deep swirls, or Emanuel Gottlieb Leutze’s famous Washington Crossing the Delaware (1851) translated into semi-abstract waves of color.

Fleurs du Dystophie, 2013

Pigment print on handmade paper
40 1/5 × 32 3/10 in
102 × 82 cm
This is part of a limited edition set.
Contact For Price
Location
London, London , Miami
Have a question? Visit our help center.
Other works from Young Masters at Royal Overseas League
Other works by Christoph Steinmeyer
Other works from Cynthia Corbett Gallery
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