Christopher Le Brun, ‘Virtue from Concours de l'Arbre’, 2012, Paupers Press

n France in the early 19th century the award of the Prix de Rome by the École des Beaux-Arts depended on an annual competition. As well as the Prix de Rome for History painting a prize for Historical Landscape was instituted in 1817. The examination was tri-partite. The first stage required the execution of an esquisse (sketch study). The second stage, named Concours de l'arbre, lasted six days, during which the contestants painted, in isolation and from memory, a picture that featured a tree as its dominant motif and a narrative subject in which the figures had to be "at least four inches in height". The final stage was the painting of a finished historical landscape, the subject determined in advance by the jury.

Publisher: Paupers Press, London

About Christopher Le Brun

Citing Romanticism and Symbolism among his inspirations, as well as musical compositions, literature, and his own materials, Christopher Le Brun produces expressive paintings, prints, and sculptures that range from abstract to representational. “At least half, if not more, of the driver of my work is the engagement with materials,” he has said. For his sculptures, he works in bronze and relies on motifs that include horses, wings, and semi-abstract forms suggesting human figures. He paints in oils and watercolor, building up his compositions with visible layers and brushstrokes. Rather than honing a particular style, Le Brun prefers to challenge himself with new projects and approaches.

British, b. 1951, Portsmouth, United Kingdom, based in London, United Kingdom

Solo Shows

2018
Southampton City Art Gallery, 
Southampton, UK,
Christopher Le Brun
2018
Wolfson Fine Arts, 
Cambridge, UK,
Dualities
2017
New York,
Christopher Le Brun: Composer
2016
ARNDT, 
Singapore,
Christopher Le Brun

Group Shows

1984
Museum of Modern Art, 
New York, NY, USA,
An International Survey of Recent Painting and Scultpure
View Artist's CV