Christopher Wilmarth, ‘City Willows #3’, 1977, Rago

Signature: Signed, dated and titled

Estate of the Artist
Private Collection, New York
Acquired from the above by the present owner

About Christopher Wilmarth

Initially inspired by the formal rigor of Minimalism and modern masters Henri Matisse and Constantin Brancusi, Christopher Wilmarth made exquisitely balanced sculptures from steel and etched glass. In a 1978 New York Times review, Hilton Kramer said Wilmarth was “unquestionably in possession of one of the most original sculptural styles to emerge in the 1970s.” Later, Wilmarth began to draw primary influence from the poems of the French Symbolist Stéphane Mallarmé, incorporating blown glass “heads” into his translations of Mallarmé’s work. Referring to the link between his poetic inspiration and artistic production in these works, Wilmarth wrote: “Breath is the first vehicle for a poem; blown glass is breath made physical.” He gained extensive critical acclaim in a career cut short by suicide in 1987.

American, 1943-1987, Sonoma, California

Solo Shows

Group Shows

1984
Museum of Modern Art, 
New York, NY, USA,
An International Survey of Recent Painting and Scultpure

Fair History on Artsy

2014
Hirschl & Adler Modern at The Armory Show 2014