Chu Teh-Chun, ‘Alentours Verdoyants II’, 1988, Phillips

Signature: signed and dated 'CHU TEH-CHUN [in Chinese and Pinyin] . 88.' lower right

Tokyo, The Ueno Royal Museum, Solo Exhibition of Chu Teh-Chun, 23 June 23 - 10 July 2007, p. 208 (illustrated)
Hong Kong, de Sarthe Gallery, Chu Teh-Chun: Nature in Abstraction, 5 October - 3 November 2012, p. 33 (illustrated)

Private Collection
Christie's, Hong Kong, 26 November 2006, lot 246
Private Collection, Paris
Ravenel, Taiwan, 7 December 2014, lot 169
Acquired at the above sale by the present owner

About Chu Teh-Chun

A mid-century émigré to France, Chu Teh-Chun left an important mark on abstract painting and Chinese art with his synthesis of the two traditions. A student of Lin Fengmian, Chu studied traditional Chinese painting but was also exposed to Western art early in his life. After settling in Paris in the 1950s, he abandoned figuration, employing a gestural, abstract style that exhibits elements of Chinese calligraphy and landscape painting. Although his work demonstrates the stylistic freedom of mid-century movements such as art informel and abstract expressionism, Chu always retained the rigorous technical brushwork he learned as a student in mainland China.

Chinese-French, 1920-2014, Baitou Zhen, China, based in Paris, France