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Chuck Close

Self-Portrait, 1999

Relief print with embossment, on handmade gray paper, with full margins
25 1/2 × 20 1/2 in
64.8 × 52.1 cm
Edition 14/50 + 7AP
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

Image: 20 x 15 1/4 in. (50.8 x 38.7 cm)
Sheet: 25 1/2 x 20 1/2 in. (64.8 x 52.1 cm)
Framed

Image: 20 x 15 1/4 in. (50.8 x 38.7 cm)
Sheet: 25 1/2 x 20 1/2 in. (64.8 x 52.1 cm)
Framed

Signature
Signed, dated and numbered 14/50 in pencil (there were also 7 artist's proofs)
Publisher
Two Palms Press, New York
Chuck Close
American, b. 1940
Follow

Chuck Close reinvented painting with his monumental portraits, rendered with exquisite, exacting realism from photographic sources. Playing with ideas of scale, color, and form, Close has become famous for his rigorous, gridded application of individual color squares, which, although abstract up close, form unified, highly realistic images from afar. “I think most paintings are a record of the decisions that the artist made,” he said. “I just perhaps make them a little clearer than some people have.” Close’s artificially restrictive painting techniques stem in part from physical limitations—he suffers from an inability to recognize faces, and had a spinal injury in 1988 that left him largely paralyzed. Close is particularly known for his portraits of artists, having depicted Robert Rauschenberg, Cindy Sherman, and Richard Serra, among countless others. His work links him not only with Photorealists like Richard Estes and Audrey Flack, but also to Conceptual Art.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
P
Phillips

Image: 20 x 15 1/4 in. (50.8 x 38.7 cm)
Sheet: 25 1/2 x 20 1/2 in. (64.8 x 52.1 cm)
Framed

Image: 20 x 15 1/4 in. (50.8 x 38.7 cm)
Sheet: 25 1/2 x 20 1/2 in. (64.8 x 52.1 cm)
Framed

Signature
Signed, dated and numbered 14/50 in pencil (there were also 7 artist's proofs)
Publisher
Two Palms Press, New York
Chuck Close
American, b. 1940
Follow

Chuck Close reinvented painting with his monumental portraits, rendered with exquisite, exacting realism from photographic sources. Playing with ideas of scale, color, and form, Close has become famous for his rigorous, gridded application of individual color squares, which, although abstract up close, form unified, highly realistic images from afar. “I think most paintings are a record of the decisions that the artist made,” he said. “I just perhaps make them a little clearer than some people have.” Close’s artificially restrictive painting techniques stem in part from physical limitations—he suffers from an inability to recognize faces, and had a spinal injury in 1988 that left him largely paralyzed. Close is particularly known for his portraits of artists, having depicted Robert Rauschenberg, Cindy Sherman, and Richard Serra, among countless others. His work links him not only with Photorealists like Richard Estes and Audrey Flack, but also to Conceptual Art.

Chuck Close

Self-Portrait, 1999

Relief print with embossment, on handmade gray paper, with full margins
25 1/2 × 20 1/2 in
64.8 × 52.1 cm
Edition 14/50 + 7AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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