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Cindy Sherman

Untitled #353, 2000

Chromogenic print
36 × 24 in
91.4 × 61 cm
Edition 2/6
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Exhibition history
Bibliography
Provenance
S
Sotheby's

From Generation to Generation: Important Photographs from the Ames Collection

Flush mounted, …

Read more

From Generation to Generation: Important Photographs from the Ames Collection

Flush mounted, signed, dated, and editioned '2/6' in ink on the reverse, framed, Metro Pictures and The Ames Collection, New York, labels on the reverse.

From the Catalogue:
‘They were criticized as if I was making fun of these …

Read more
Cindy Sherman
American, b. 1954
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Cindy Sherman established her reputation—and a novel brand of uncanny self-portraiture—with her “Untitled Film Stills” (1977-80), a series of 69 photographs of the artist herself enacting female clichés of 20th-century pop culture. Though her work continually re-examines women’s roles in history and contemporary society, Sherman resists the notion that her photographs have an explicit narrative or message, leaving them untitled and largely open to interpretation. “I didn’t think of what I was doing as political,” she once said. “To me it was a way to make the best out of what I liked to do privately, which was to dress up.” Always in meticulous costumes, wigs, and makeup, Sherman has produced series in which she dresses as women from history paintings, fashion, and pornography. In the late 1980s and into the ’90s, she expanded her focus to more grotesque imagery, like the mutilated mannequins of her “Sex Pictures” (1992).

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view
View in room
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view
View in room
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About the work
Exhibition history
Bibliography
Provenance
S
Sotheby's

From Generation to Generation: Important Photographs from the Ames Collection

Flush mounted, …

Read more

From Generation to Generation: Important Photographs from the Ames Collection

Flush mounted, signed, dated, and editioned '2/6' in ink on the reverse, framed, Metro Pictures and The Ames Collection, New York, labels on the reverse.

From the Catalogue:
‘They were criticized as if I was making fun of these …

Read more
Cindy Sherman
American, b. 1954
Follow

Cindy Sherman established her reputation—and a novel brand of uncanny self-portraiture—with her “Untitled Film Stills” (1977-80), a series of 69 photographs of the artist herself enacting female clichés of 20th-century pop culture. Though her work continually re-examines women’s roles in history and contemporary society, Sherman resists the notion that her photographs have an explicit narrative or message, leaving them untitled and largely open to interpretation. “I didn’t think of what I was doing as political,” she once said. “To me it was a way to make the best out of what I liked to do privately, which was to dress up.” Always in meticulous costumes, wigs, and makeup, Sherman has produced series in which she dresses as women from history paintings, fashion, and pornography. In the late 1980s and into the ’90s, she expanded her focus to more grotesque imagery, like the mutilated mannequins of her “Sex Pictures” (1992).

Cindy Sherman

Untitled #353, 2000

Chromogenic print
36 × 24 in
91.4 × 61 cm
Edition 2/6
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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