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Claes Oldenburg

N.Y.C. Pretzel, 1994

The screenprinted multiple on three-ply cardboard
6 3/5 × 6 1/2 × 3/5 in
16.8 × 16.5 × 1.5 cm
Bidding closed
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About the work
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initialled in black ink and stamped with the artist's copyright inkstamp verso, 168 x 165 x …

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initialled in black ink and stamped with the artist's copyright inkstamp verso, 168 x 165 x 15mm (6 5/8 x 6 1/2 x 1/2in) (multiple)

Oldenburg drew inspiration from the chaos that is N.Y.C.'s urban life in making the present artwork. In his words, 'the pretzel seemed a perfect multiple of the city, as …

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Claes Oldenburg
Swedish, b. 1929
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“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

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About the work
FA
Forum Auctions

initialled in black ink and stamped with the artist's copyright inkstamp verso, 168 x 165 x …

Read more

initialled in black ink and stamped with the artist's copyright inkstamp verso, 168 x 165 x 15mm (6 5/8 x 6 1/2 x 1/2in) (multiple)

Oldenburg drew inspiration from the chaos that is N.Y.C.'s urban life in making the present artwork. In his words, 'the pretzel seemed a perfect multiple of the city, as …

Read more
Claes Oldenburg
Swedish, b. 1929
Follow

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

Claes Oldenburg

N.Y.C. Pretzel, 1994

The screenprinted multiple on three-ply cardboard
6 3/5 × 6 1/2 × 3/5 in
16.8 × 16.5 × 1.5 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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