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Claes Oldenburg

Poster for Claes Oldenburg at Sidney Janis Gallery, 1967

Lithograph printed in colours, on wove paper
Bidding closed
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About the work
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Published by Sidney Janis Gallery, New York, with full margins, sheet 584 × 737 mm, (23 × 29 in) …

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Published by Sidney Janis Gallery, New York, with full margins, sheet 584 × 737 mm, (23 × 29 in) (unframed)

Medium
Print
Claes Oldenburg
Swedish, b. 1929
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“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

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About the work
FA
Forum Auctions

Published by Sidney Janis Gallery, New York, with full margins, sheet 584 × 737 mm, (23 × 29 in) …

Read more

Published by Sidney Janis Gallery, New York, with full margins, sheet 584 × 737 mm, (23 × 29 in) (unframed)

Medium
Print
Claes Oldenburg
Swedish, b. 1929
Follow

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

Claes Oldenburg

Poster for Claes Oldenburg at Sidney Janis Gallery, 1967

Lithograph printed in colours, on wove paper
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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