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W
Waddington's

Image/Sheet 29.75" x 22.25" — 75.6 x 56.5 cm.; 39.75" x 29.75" — 101 x 75.6 cm.

From the Catalogue:
This work was created as a riff on Ronald Reagan’s name prior to his Presidency.
Courtesy of Waddington's

Medium
Signature
Signed and numbered 63/250

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

High auction record
$3.6m, Christie's, 2015
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2019
Claes Oldenburg: A Survey of Print and Sculpture EditionsGemini G.E.L. at Joni Moisant Weyl
2018
Claes Oldenburg at Gemini G.E.L. - Selected WorksGemini G.E.L.
2016
Los Angeles to New York: The Dwan Gallery, 1959-1971National Gallery of Art, Washington, D.C.
View all

Thure Ray Gun, 1961

Colour lithograph
Edition 63/250
.
Bidding closed
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W
Waddington's

Image/Sheet 29.75" x 22.25" — 75.6 x 56.5 cm.; 39.75" x 29.75" — 101 x 75.6 cm.

Medium
Signature
Signed and numbered 63/250

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

High auction record
$3.6m, Christie's, 2015
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Claes Oldenburg
Related works