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Rago/Wright

Two works of art:
Figure Looking through Legs, 1976
Etching and aquatint in colors (framed)
Signed, dated and noted Printers Proof
12.5" x 9.5" (plate)
25.375" x 19.625" (sheet)
Publisher: Petersburg Press, New York
Literature: Axsom/Platzker 163

Sketch for a Sculpture in the Form of a Dress Collar and a …

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

High auction record
$3.6m, Christie's, 2015
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2019
Claes Oldenburg: A Survey of Print and Sculpture EditionsGemini G.E.L. at Joni Moisant Weyl
2018
Claes Oldenburg at Gemini G.E.L. - Selected WorksGemini G.E.L.
2016
Los Angeles to New York: The Dwan Gallery, 1959-1971National Gallery of Art, Washington, D.C.
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Two works of art: Figure Looking through Legs; Sketch for a Sculpture in the Form of a Dress Collar and a Tie, with Stud

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RW
Rago/Wright

Two works of art:
Figure Looking through Legs, 1976
Etching and aquatint in colors (framed)
Signed, …

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

High auction record
$3.6m, Christie's, 2015
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Claes Oldenburg
Related works