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Claes Oldenburg

Woman Hanging in Imitation of the Soft Fan (Edition A), 1976

Soft-ground etching on paper
31 1/4 × 21 in
79.4 × 53.3 cm
Edition 21/50
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About the work
Bibliography
W
Wright

Sheet measures: 41 h x 31.25 w inches.

This work is number 21 from the edition of 50 published by …

Read more

Sheet measures: 41 h x 31.25 w inches.

This work is number 21 from the edition of 50 published by Petersburg Press, London and New York.

Signature
Signed, dated and numbered to lower margin '21/50 Oldenburg 1976'.
Claes Oldenburg
Swedish, b. 1929
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“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

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About the work
Bibliography
W
Wright

Sheet measures: 41 h x 31.25 w inches.

This work is number 21 from the edition of 50 published by …

Read more

Sheet measures: 41 h x 31.25 w inches.

This work is number 21 from the edition of 50 published by Petersburg Press, London and New York.

Signature
Signed, dated and numbered to lower margin '21/50 Oldenburg 1976'.
Claes Oldenburg
Swedish, b. 1929
Follow

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum,” wrote Claes Oldenburg in his seminal 1961 manifesto I Am For An Art. From his Happenings beginning in the 1960s, to his enormous public sculptures of ice cream and rubber stamps, to his collaboration with his wife Coosje van Bruggen, Oldenburg has remained at the forefront of the Conceptual and Pop art movements. He has worked in a variety of mediums including performance, drawing, and writing, though he is best known for his large glossy or soft sculptures of ordinary consumer items, such as Lipstick (Ascending) on Caterpillar Tracks (1969-74). Some of Oldenburg’s most radical works remain in the realm of concept, as in his proposal for Thames Ball (1967)—a giant toilet tank ball that would have floated on the Thames River. “I am for an art that grows up not knowing it is art at all,” he wrote. “I am for an artist who vanishes.”

Claes Oldenburg

Woman Hanging in Imitation of the Soft Fan (Edition A), 1976

Soft-ground etching on paper
31 1/4 × 21 in
79.4 × 53.3 cm
Edition 21/50
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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