Claire Falkenstein, ‘White Painting’, 1969, Painting, Acrylic, oil and metallic paint on canvas, Michael Rosenfeld Gallery
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Claire Falkenstein

White Painting, 1969

Acrylic, oil and metallic paint on canvas
68 1/2 × 67 1/4 in
174 × 170.8 cm
.
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Signature
Hand-signed by artist
Claire Falkenstein
American, 1908–1997
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American sculptor Claire Falkenstein is best known for her fusions of tangled copper and melted glass. She worked with a variety of material, including traditional wood and stone, as well as experimenting with plastic, steel, glass, and aluminum. Likewise, she produced a wide range of forms, including furniture, fountains, wallpaper, jewelry, and large public works. From 1950 through the early ‘60s she lived in Europe, where she met Jean Arp and Alberto Giacometti. There she created her most famous commission, the doors for the Peggy Guggenheim Museum in Venice, a twisted web of metal and colored glass. In post-war Paris she worked with simple materials that could be found at the hardware store, especially wire, which she used to “draw” sculptural forms. “Everything is drawing,” she said. “Sculpture is drawing.”

Claire Falkenstein, ‘White Painting’, 1969, Painting, Acrylic, oil and metallic paint on canvas, Michael Rosenfeld Gallery
Save
Save
View
View in room
Share
Share
Medium
Signature
Hand-signed by artist
Claire Falkenstein
American, 1908–1997
Follow

American sculptor Claire Falkenstein is best known for her fusions of tangled copper and melted glass. She worked with a variety of material, including traditional wood and stone, as well as experimenting with plastic, steel, glass, and aluminum. Likewise, she produced a wide range of forms, including furniture, fountains, wallpaper, jewelry, and large public works. From 1950 through the early ‘60s she lived in Europe, where she met Jean Arp and Alberto Giacometti. There she created her most famous commission, the doors for the Peggy Guggenheim Museum in Venice, a twisted web of metal and colored glass. In post-war Paris she worked with simple materials that could be found at the hardware store, especially wire, which she used to “draw” sculptural forms. “Everything is drawing,” she said. “Sculpture is drawing.”

Claire Falkenstein

White Painting, 1969

Acrylic, oil and metallic paint on canvas
68 1/2 × 67 1/4 in
174 × 170.8 cm
.
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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Other works by Claire Falkenstein
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